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Old French literature --- Monophonic chansons --- Manuscripts, Medieval --- Texts --- Bibliothèque nationale de France --- -Manuscripts, Medieval --- -Medieval manuscripts --- Manuscripts --- Chansons, Monophonic --- Songs, French --- Bibliotheque nationale de France --- Biblioteca Nacional de Francia --- BNF (Bibliothèque nationale de France) --- Faguo guo jia tu shu guan --- French National Library --- Hpha-ran-siʼi Rgyal-gñer Dpe-mdzod-khaṅ --- France. --- Bibliothèque nationale (France) --- Bibliothèque de France --- Texts. --- -Texts --- Paris. Bibliothèque nationale de France --- Paris. BnF --- Monophonic chansons - Texts --- Manuscripts, Medieval - France
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La chronique de Bertran Boysset, de la moyenne bourgeoisie d’Arles (v. 1350-1415),est un texte difficile à classer. Elle comporte certains aspects du livre de raison, mais l’intérêt de l’auteur dépasse largement le cercle restreint de l’environnement familial. Proche d’Avignon à l’époque du Grand Schisme, dans une région troublée par les rivalités politiques et les exactions des gens de guerre, l’auteur note non seulement ses activités (l’exploitation de ses vignes et de ses pêcheries), les phénomènes météorologiques, les faits qui sortent de l’ordinaire, mais encore ce qui se passe à la cour papale à Avignon et à Rome, ainsi que les séjours des souverains. C’est un témoignage exceptionnel sur la vie quotidienne et sur la perception du monde d’un laïc de culture moyenne, qui veut par ses écrits se situer dans le cadre plus large d’une cité autrefois prestigieuse.
Chroniques --- Boysset, Bertrand --- Boysset, Bertrand, --- Critique et interprétation --- Criticism and interpretation. --- Bibliothèque nationale de France. --- Biblioteca Nacional de Francia --- BNF (Bibliothèque nationale de France) --- Faguo guo jia tu shu guan --- French National Library --- Hpha-ran-siʼi Rgyal-gñer Dpe-mdzod-khaṅ --- France. --- Bibliothèque nationale (France) --- Bibliothèque de France --- Arles (France) --- Arles-sur-Rhône (France) --- Arles-Trinquetaille (France) --- History --- Paris. BnF --- Paris. Bibliothèque nationale de France
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In this groundbreaking international comparative study on healing justice, the author examines a number of traditional communities. Sawatsky identifies the common patterns, themes, and imagination which these communities share. These commonalities among those that practice healing justice are then examined for their implications for wider society.
Restorative justice --- Healing --- Healing (in religion, folk-lore, etc.) --- Balanced and restorative justice --- BARJ (Restorative justice) --- Community justice --- Restorative community justice --- Criminal justice, Administration of --- Reparation (Criminal justice) --- Psychological aspects. --- Religious aspects. --- Iona Community. --- Village des pruniers (Buddhist community) --- Làng Hông (Buddhist community) --- Plum Village (Buddhist community) --- Persimmon Village (Buddhist community) --- Mei cun (Buddhist community) --- 梅村 (Buddhist community) --- Faguo mei cun (Buddhist community) --- 法國梅村 (Buddhist community) --- Hollow Water Reserve (Man.) --- Psychological aspects --- Religious aspects
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« L’expérience sensible des bibliothèques » qui est au cœur de ce recueil de textes est aussi bien celle dont les usagers de ces établissements sont susceptibles de témoigner que celle manifestée par les établissements eux-mêmes - et à travers eux leurs personnels - à l’égard de ceux-là. Le « souci des publics » est ici éclairé de six façons différentes par des contributeurs situés à la croisée de plusieurs mondes : deux sociologues en poste dans des grands établissements, une chercheuse et un chercheur aux confins des sciences sociales et de l’analyse « big data », trois conservatrices des bibliothèques aux profils et aux fonctions variés, un ancien éditeur devenu pour un temps directeur d’une grande bibliothèque, deux intervenantes « écrivain-conseil » et membres d’une association proposant un service d’écrivain public aux bibliothèques. Aussi différentes soient elles, ces approches scientifiques et professionnelles sont articulées sur un même socle de valeurs et surtout sur un même type de terrain qui constitue un dispositif spécifique : celui des grands établissements (la Bibliothèque publique d’information du Centre Pompidou, la Bibliothèque nationale de France et la Bibliothèque Vasconcelos de Mexico). Rien n’empêche évidemment les lectrices et les lecteurs d’associer une partie des questions qui sont ici décrites et analysées en détail à d’autres catégories de bibliothèques, notamment aux établissements de taille plus restreinte. La notion d’attachement à l’institution, la reconnaissance de la dimension hospitalière et protectrice de cette dernière, le « façonnage » des services par les usagers ou la manière à la fois singulière et collective dont ils sont appropriés, sont en effet des phénomènes que l’on peut observer ailleurs que dans les grands établissements, en dehors des bibliothèques et même du champ culturel. Faire l’expérience de l’expérience des publics, c’est, pour reprendre les mots d’Alain-Marie Bassy,passer de l’espace institué par les professionnels à l’espace restitué par les usagers.
Information Science & Library Science --- bibliothèques --- Bibliothèque publique d’information --- bibliothèques publiques --- usages --- Library & information sciences --- Centre Georges Pompidou. --- Bibliothèque nationale de France. --- Paris. BnF --- Paris. Bibliothèque nationale de France --- Biblioteca Nacional de Francia --- BNF (Bibliothèque nationale de France) --- Faguo guo jia tu shu guan --- French National Library --- Hpha-ran-siʼi Rgyal-gñer Dpe-mdzod-khaṅ --- France. --- Bibliothèque nationale (France) --- Bibliothèque de France --- B.P.I. --- BPI --- Bibliothèque publique d'information (Centre Georges Pompidou)
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Asymptote: An Approach to Decadent Fiction offers a radically new approach to the psychology of Decadent creation. Rejecting traditional arguments that Decadence is a celebration of deviance and exhaustion, this study presents the fin-de-siecle novel as a transformative process, a quest for health. By allowing the writer to project into fiction unwanted traits and destructive tendencies – by permitting the playful invention of provisional identities –, Decadent creation itself becomes a dynamic act of creative regeneration. In describing the interrelationship of Decadent authors and their fictions, Asymptote uses the mathematical figure of the asymptote to show how they converge, then split apart, and grow distant. The author’s approach to the facsimile selves he plays with and discards is the curve that never merges with his authorial identity. In successive chapters, this study describes the Decadents’ experimentation with perversion (Huysmans’s A rebours and Mendes’s Zo’har ), and their subsequent validation of social regulation and creative discipline. It examines magic and its appeal to fantasies of elitism and omnipotence (Péladan’s Le Vice supreme and Villiers’s Axël ), then shows authors embracing the values of community and service. It considers the Decadent text as a vehicle of change in which an artist ventilates fantasies of aggression and revenge (Mirbeau’s Le Journal d’une femme de chamber and Rachilde’s La Marquise de Sade ) then employs writing as the means by which these feelings are discharged. It examines creation as a form of play , “une aliénation grâce à laquelle l’esprit se récupère sous la forme des autres” (Schwob’s Vies imaginaries and Lorrain’s Histoires de masques ), yet notes the Decadents’ decision to return to a single generative center. Finally, it examines creation as an expression of artistic transience and failure, yet shows the Decadents’ success in commemorating the very forces of disintegration (Rodenbach’s L’Art en exil ). In considering the Decadents’ insistence on subjectivism and aloneness, this study concludes (Gourmont’s Sixtine ) by showing their wish to escape the prison of identity and to redefine their art as cooperative creation.
Fiction --- French literature --- Decadence (Literary movement) --- Décadentisme --- Literary movements --- Literature, Modern --- France. --- Bro-C'hall --- Fa-kuo --- Fa-lan-hsi --- Faguo --- Falanxi --- Falanxi Gongheguo --- Farans --- Farānsah --- França --- Francia (Republic) --- Francija --- Francja --- Francland --- Francuska --- Franis --- Franḳraykh --- Frankreich --- Frankrig --- Frankrijk --- Frankrike --- Frankryk --- Fransa --- Fransa Respublikası --- Franse --- Franse Republiek --- Frant͡ --- Frant͡s Uls --- Frant͡sii͡ --- Frantsuzskai͡a Rėspublika --- Frantsyi͡ --- Franza --- French Republic --- Frencisc Cynewīse --- Frenska republika --- Furansu --- Furansu Kyōwakoku --- Gallia --- Gallia (Republic) --- Gallikē Dēmokratia --- Hyãsia --- Parancis --- Peurancih --- Phransiya --- Pransiya --- Pransya --- Prantsusmaa --- Pʻŭrangs --- Ranska --- República Francesa --- Republica Franzesa --- Republika Francuska --- Republiḳah ha-Tsarfatit --- Republikang Pranses --- République française --- Tsarfat --- Tsorfat --- Décadentisme
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Ancien Testament --- Linguistique --- Oude Testament --- Taalkunde --- Twelve tribes of Israel --- Douze tribus d'Israël --- Bibliothèque nationale de France --- Academic collection --- Israel, Twelve tribes of --- Jews --- Lost tribes of Israel --- Tribes --- History --- Bibliotheque nationale de France --- Biblioteca Nacional de Francia --- BNF (Bibliothèque nationale de France) --- Faguo guo jia tu shu guan --- French National Library --- Hpha-ran-siʼi Rgyal-gñer Dpe-mdzod-khaṅ --- France. --- Bibliothèque nationale (France) --- Bibliothèque de France --- Twelve tribes of Israel. --- Bibliothèque nationale de France. --- Paris. Bibliothèque nationale de France --- Paris. BnF --- Douze tribus d'Israël --- Bibliothèque nationale de France.
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Veterinary medicine --- Veterinary Medicine. --- Veterinary medicine. --- France. --- #ANTIL9511 --- Periodicals --- Life Sciences --- Animal Physiology --- Farriery --- Large animal medicine --- Large animal veterinary medicine --- Livestock medicine --- Veterinary science --- Medicine, Veterinary --- Bro-C'hall --- Fa-kuo --- Faguo --- Falanxi Gongheguo --- Faransā --- Farānsah --- França --- Francia --- Francija --- Francja --- Francland --- Francuska --- Franis --- Franḳraykh --- Frankreich --- Frankrig --- Frankryk --- Fransa --- Fransa Respublikası --- Franse --- Franse Republiek --- Frant︠s︡ii︠a︡ --- Frantsuzskai︠a︡ Rėspublika --- Frantsyi︠a︡ --- Franza --- French Republic --- Frencisc Cynewīse --- Frenska republika --- Furansu --- Furansu Kyōwakoku --- Gallia --- Gallikē Dēmokratia --- Hyãsia --- Parancis --- Peurancih --- Phransiya --- Pransiya --- Pransya --- Prantsusmaa --- Pʻŭrangsŭ --- República Francesa --- Republica Franzesa --- Republika Francuska --- Republiḳah ha-Tsarfatit --- Republikang Pranses --- République française --- Tsarfat --- Tsorfat
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The life and works of one of the most difficult yet rewarding composers of modern time. Jean Barraqué is increasingly being recognized as one of the great composers of the second half of the 20th century. Though he left only seven works, his voice in each of them is unmistakeable, and powerful. He had no doubt of his responsibility, as a creator, to take his listeners on challenging adventures that could not but leave them changed. After the collapse of morality he had witnessed as a child growing up during the Second World War, and having taken notice of so much disarray in the culture around him, he set himself to make music that would, out of chaos, speak. Three others were crucial to him. One was Pierre Boulez, who, three years older, provided him with keys to a new musical language-a language more dramatic, driving and passionate than Boulez's. Another was Michel Foucault, to whom he was close personally for a while, and with whom he had a dialogue that was determinative for both of them. Finally, in the writings of Hermann Broch-and especially in the novel The Death of Virgil-he found the myth he needed to realize musically. He played for high stakes, and he took risks-with himself as in his art. Intemperate and difficult, even with his closest friends, he died in 1973 at the age of forty-five. Paul Griffiths was chief music critic for the London 'Times' (1982-92) and 'The New Yorker' (1992-96) and since 1996 has written regularly for the 'New York Times'. He has written books on Boulez, Cage, Messiaen, Ligeti, Davies, Bartók and Stravinsky, as well as several librettos, among them 'The Jewel Box' (Mozart, 1991), 'Marco Polo' (Tan Dun, 1996) and 'What Next?' (Elliott Carter, 1999).
Barraqué, Jean --- Composers --- France --- Biography --- Barraqué, Jean. --- Barrake, Zhan --- France. --- Bro-C'hall --- Fa-kuo --- Fa-lan-hsi --- Faguo --- Falanxi --- Falanxi Gongheguo --- Farans --- Farānsah --- França --- Francia (Republic) --- Francija --- Francja --- Francland --- Francuska --- Franis --- Franḳraykh --- Frankreich --- Frankrig --- Frankrijk --- Frankrike --- Frankryk --- Fransa --- Fransa Respublikası --- Franse --- Franse Republiek --- Frant͡ --- Frant͡s Uls --- Frant͡sii͡ --- Frantsuzskai͡a Rėspublika --- Frantsyi͡ --- Franza --- French Republic --- Frencisc Cynewīse --- Frenska republika --- Furansu --- Furansu Kyōwakoku --- Gallia --- Gallia (Republic) --- Gallikē Dēmokratia --- Hyãsia --- Parancis --- Peurancih --- Phransiya --- Pransiya --- Pransya --- Prantsusmaa --- Pʻŭrangs --- Ranska --- República Francesa --- Republica Franzesa --- Republika Francuska --- Republiḳah ha-Tsarfatit --- Republikang Pranses --- République française --- Tsarfat --- Tsorfat
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Arthurian romances --- Bibliothèque nationale de France --- 091 <44 PARIS> --- 091 =40 --- 091 CHRETIEN DE TROYES --- Romances --- Handschriftenkunde. Handschriftencatalogi--Frankrijk--PARIS --- Handschriftenkunde. Handschriftencatalogi--Frans --- Handschriftenkunde. Handschriftencatalogi--CHRETIEN DE TROYES --- Bibliotheque nationale de France --- Biblioteca Nacional de Francia --- BNF (Bibliothèque nationale de France) --- Faguo guo jia tu shu guan --- French National Library --- Hpha-ran-siʼi Rgyal-gñer Dpe-mdzod-khaṅ --- France. --- Bibliothèque nationale (France) --- Bibliothèque de France --- Arthurian romances. --- 091 CHRETIEN DE TROYES Handschriftenkunde. Handschriftencatalogi--CHRETIEN DE TROYES --- 091 =40 Handschriftenkunde. Handschriftencatalogi--Frans --- 091 <44 PARIS> Handschriftenkunde. Handschriftencatalogi--Frankrijk--PARIS --- Paris. Bibliothèque nationale de France --- Paris. BnF --- Bibliothèque nationale de France.
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Natural history --- 42.05 natural history. --- Natural history. --- History, Natural --- Natural science --- Physiophilosophy --- Biology --- Science --- France. --- Bro-C'hall --- Fa-kuo --- Fa-lan-hsi --- Faguo --- Falanxi --- Falanxi Gongheguo --- Farans --- Farānsah --- França --- Francia (Republic) --- Francija --- Francja --- Francland --- Francuska --- Franis --- Franḳraykh --- Frankreich --- Frankrig --- Frankrijk --- Frankrike --- Frankryk --- Fransa --- Fransa Respublikası --- Franse --- Franse Republiek --- Frant͡ --- Frant͡s Uls --- Frant͡sii͡ --- Frantsuzskai͡a Rėspublika --- Frantsyi͡ --- Franza --- French Republic --- Frencisc Cynewīse --- Frenska republika --- Furansu --- Furansu Kyōwakoku --- Gallia --- Gallia (Republic) --- Gallikē Dēmokratia --- Hyãsia --- Parancis --- Peurancih --- Phransiya --- Pransiya --- Pransya --- Prantsusmaa --- Pʻŭrangs --- Ranska --- República Francesa --- Republica Franzesa --- Republika Francuska --- Republiḳah ha-Tsarfatit --- Republikang Pranses --- République française --- Tsarfat --- Tsorfat
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